Author: Ruijia Zhang

For the scene 1

zbrush sculpting monster:

Cloud (geo node) by blender

FX presents (composites) references：

1.Family

Contrast Dangerous outside the roof, warm inside Dangerous elements: monsters, black
clouds.

shooting test：

A separate abstract roof (could the roof be two large hands, as shown below).

Elements that represent the warmth of the family：

2: Personal hobbies/favours
2-1 The endless exploration and experimentation with new and strange things
2-2 The frustration of confusion and suffocation in exploration
2-3 Finding a willingness to commit to an endeavour that is as balanced as possible

2-1
Notes jump, notes animalise

There’s this animation that comes out
when you open the book/a path is piled up
underneath your feet/a reflection on the
wall

2-2
Puppetry, dissipation; surveillance hollow person

Circulation, Ice Cold, Mechanical

3.Job
The briefcase turned into a ball

4.passionate about something：

VFX Box:
style: fantasy, beautiful, magic, don’t want to be too techy!

1. Lightning (can be a wave of the hand for normal lightning, or a hand back for ball lightning)
   Reach out 2. Plants grow on both sides of the path, or jellyfish/magical creatures/particle
   cats and kittens appear around your feet.
2. then XX (mushrooms or whatever) rains from the sky, and the protagonist remembers in
   shock that he knows magic.
3. Then he draws a shroud of glitter to block it, pats his clothes, holds his forehead, false
   alarm, happily walks inside the shroud again without looking where he’s going, and falls into
   the next scene.
   I want to do the relationship between people and the world, using the time pieces as a clue.
   VFX Box.
   Gentle version
4. Raise your hand slowly (peacock gesture), make a smoke trail in the air, which slowly turns
   into fire and water (if you can’t do it, do it several times).
5. Put your hand in front of your mouth and blow, along with the particle effects and smoke
   effects to create a particle creature animation, after the end of the animal to follow or run
   away
6. continue to walk, the ground out of a jump moon river (fluid + sphere luminescence plus
   mapping), and then she squatted down to pick up a moon very satisfied to see did not look at
   the road, fell into the next scene

Transition borrowing: reference 1 minute 20 seconds ：
Link：https://www.bilibili.com/video/BV1Cx411S7ne/?
spm_id_from=333.788.recommend_more_video.2
&vd_source=d78d21b6980adcfb14a374ddf559d718

5.Relationship（Partner/Friends/etc.

Concept：Trying to make a relationship between people and the world, with time–shattered pieces as clues.

Outline：I keep walking from left to right, with the pace of clicks and specks (the BGM is
“sparks and specks”), seamlessly walking in and out of one scene after another (different
scenes will have different interactions), showing the experience and interactions of different
characters in different stages of their lives, with the character staying in the centre of the
camera. In the last scene, I walk towards the end of my life (the particles float away) and the
camera stops. While walking, a figurative 3d time cube floats/follows the person, and each
person spends time with them, giving and receiving their time (using different colours/
materials to differentiate between my time and other people’s time), and at the end of the
story, even though the time in their hands is consumed (end of life), the “I” is still in the
centre of the camera. At the end of the story, although the time in my hand is consumed (the
end of my life), the time that I share with others still exists, and I have the feeling that “as
long as there are still people in the world who remember me, I am not considered dead”, and
then the cycle starts again and again, as if this is the cycle of the world that “I” understand. I
understand how the world goes round and round.